Normalising translation in film

BALLA CON LUPIAt the end of this month the Trafilm conference will take place in Barcelona. Coinciding with this event, I decided to write this film-related post.

I’m not the first, and I won’t be the last, to comment on the well-attested observation that translations tend to be less transgressive than original texts. Venuti considers this to be one aspect of a more general domestication strategy in translation, which other writers have referred to as normalisation. The focus is on standard syntax, intelligibility, avoidance of polysemy, elimination of obscurity; in short, a general flattening effect. These issues are discussed in depth in the three texts referenced at the foot of this text.

An example that springs to mind is the film “Dances with Wolves” (1990). A literal translation of the title might be “Baila con lobos”. (Not “Bailes con lobos”.) In the story “Dances with Wolves” is a translation of Šuŋgmánitu Tȟáŋka Ób Wačhí, the name the Lakota Sioux give to Dunbar, the protagonist. A finite verb without a subject is sometimes used as a proper name in the exotic tradition of English versions of American Indian names. In the film, there are other translations of Lakota Sioux names that follow the same pattern: “Stands with a Fist” (Napépȟeča Nážiŋ Wiŋ) and “Smiles a Lot”(Iȟá S’a).

The film title was translated into Spanish for European distribution as “Bailando con lobos” (and in Latin America as “Danza con lobos”). “Bailando con lobos” seems to correspond to a standard noun phrase in English, “Dancing with Wolves”. (“Danza con lobos” could be “Dance with Wolves”, “He Dances with Wolves” or “(He) Dances with Wolves”.)

Whatever the case, “Bailando con lobos” is clearly normalised. “Baila con lobos” would be closer to the mark but could be interpreted as an imperative form or as an indicative sentence, since “Baila con lobos” is standard Spanish, with omission of the subject.

Is there no tradition of “exotic” translation of American Indian names into Spanish? In the same film, the two characters mentioned above are called “Erguida con Puño” and “Risueño” in Spanish. Very flat translation!

Are there no resources in Spanish that could be similarly transgressive in a way that more closely matches the English title?  “Bailar con lobos” is hardly any different from the title chosen in Spanish, but what about “Bailara con lobos” or “Bailase con lobos”?

I’m no specialist in the field. It’s just a thought!

The “flattening” of film titles in translation into Spanish is a firmly established tradition. Consider these other recent examples, all of which in English are transgressive and ambiguous, in one way or another, while in Spanish they have been normalised and made more straightforward:

  • Sing Street (2016)
    Sing Street: Este es tu momento
  • Gone Girl (2014)
    Perdida
  • Inglourious Basterds (2009)
    Malditos bastardos

I would be interested to hear of other examples.


Cronin, M. (1998). The cracked looking glass of servants: Translation and minority languages in a global age. The Translator, 4(2), 145-162.

Holman, M., & Boase-Beier, J. (1998). The practices of literary translation: constraints and creativity.

Venuti, L. (2008). The translator’s invisibility: A history of translation. Routledge.

 

Richard Samson

Richard Samson

I’m a teacher living in Osona, Spain. I'm into tennis, dogs, and chickens. I’m also interested in translation and Moodle (well, digital tools for teaching, in general).
Richard Samson

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Richard Samson

About Richard Samson

I’m a teacher living in Osona, Spain. I'm into tennis, dogs, and chickens. I’m also interested in translation and Moodle (well, digital tools for teaching, in general).
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